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Item s unavailable for purchase. Please review your cart. You can remove the unavailable item s now or we'll automatically remove it at Checkout. Remove FREE. Unavailable for purchase. Continue shopping Checkout Continue shopping. Chi ama i libri sceglie Kobo e inMondadori. You are in the Philippines store Not in Philippines? I found the sacrifice of Jephthah's daughter to be exemplary of the kind of brutal gamesmanship between the two parties. Additionally, divine imperatives include the extermination of entire peoples and failures to carry these out to their fullest extent results in punishments.

Though often boring and filled with cryptic platitudes, these books are worth reading, if only to look into the psychological space that they have created in billions of fans all over the planet. This, with its three sequels, is a magnificent work of linguistic and mythic imagination, deeply resonant and rewarding. A brilliant fusion of a noir detective story set in a detailed and believable future world, its pace is relentless and like all good books leaves the reader wishing for more pages to turn.

Three interwoven novellas. An excellent introduction to the pleasures of reading Gene Wolfe, before tackling The Shadow of the Torturer. Well worth seeking out, since other writers are to Wolfe as ketchup is to bordelaise. I love the idea of maths as a predictive tool. Also the twist where one character is not what they seem. An early post-apocalyptic novel and an excellent comment on how quickly society can collapse. This series has everything: time travel, magic, beings from folklore, such as elves, ogres, etc, modern technologies, future developments, politics, alien intelligent species, crime, punishment, ethics and morality, all set against a backdrop of reasoning about the nature of life, of religions, of the concept of god s , the infinite and the cosmos, seasoned with a delightful sense of irony and wit The Foundation series, most epsecially the first book in the series, has a beautiful vision of a galactic empire, doomed by probability to fail, and the preparations for what will replace it.

It's stuck with me for years, and I still lend my copy to friends on a regular basis. This book was simply written with a theological angle, however just read literally it was very resonating for three connected ways of seeing things that are indelible to my reading and appreciation of this story: 1. The translation of what the human says and how it is heard by the aliens. A human seeing the appearance of two different aliens, before realizing they are actually humans.

Earth is a silent planet in a Universe full of communication. There is another theory which states that this has already happened. It is quite simply the best book ever written. I grew up on this book, with my dad reading me excerpts for bedtime stories! Sit down with a Pan Galactic Gargle Blaster and enjoy! For those not in the know, it's like having your brains smashed out by a slice of lemon wrapped round a large gold brick. I read this when I was in my early 20's when it was instrumental in my becoming a life long Sci-Fi fan. I re-read it in my 50's and enjoyed it just as much. I introduced it to the book club I belong to and they enjoyed it despite the fact that they would not normally read Science Fiction.

Read this a few years ago now and the images it created while reading it have since stuck in my mind. Its a classic because it remains a terrifying novel to date. A book that simply defines everything that good sci-fi should be: thought-provoking, relevant whilst retaining a healthy dose of the unknown, perceptive in its understanding of trends in society at the time and in the future and, most importantly, pushing the limitations on human imagination. Brave New World is, ahead of other classics such as , the one sci-fi novel that everyone can recognise in our own cultural infatuation with indulgence and social structure.


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It is an epic that joins the distant past to the near future. It is hopeful, as expressed in the "Star Child" I cannot even think about that image without getting major goosebumps yet it contains a warning to mankind about its own folly. It is at least somewhat prescient in how HAL is portrayed. And it is a great story as well as a great film. It is exciting and even breathtaking. Furthermore, the film made brilliant use of a classical score with Richard Strauss' Also Sprach Zarathustra more goosebumps and Johann Strauss' The Blue Danube, both electrifying compositions.

The spellbinding quality of Wolfe's prose by itself qualifies this as an all-time SF great, as a book we can all point to when someone accuses SF of not being literature. But there's so much more happening here. Twin alien worlds, decadent, decaying French colonies, and an aboriginal, shapeshifting race that seems to have vanished like a dream. Three narrators, but somewhere in the twists and turns of their narratives, we lose them and find we're holding someone else's hand. I've read this book ten times now and I'm still finding new things to love about it.

I read this when I was a young angst ridden sixteen year old and fell in love with it. It's a great little story of going back in a time machine to the days of christ in search of a meaning to life Excellent riff on the alien invasion sub-genre with aliens we never actually meet. Add political and social satire and a mildly unreliable narrator and you've got it made. Foresaw the dangers of the polar cap melting as well!

I love the multilayered approach and the phonetic spelling, and then the main protagonist is such a nice kid! One of the great space operas. Some critics have said it's too complicated. The richest most complete creation in the whole genre. Comparisons with the contemporary Vietnam War aside, the book was quite simply un-put-down-able! A great story of grunt soldiers training and fighting aliens over a possible misunderstanding with the added concept that the great distances they need to travel to the war zone means the Earth they know goes through changes they could not have foreseen.

Classic ending. This is one of those novels that non sci-fi fans can read without having to think that they are reading a sci-fi story. In other words it is happy to be called 'speculative fiction'.


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It is funny, witty, insightful, harrowing and shocking and utterly gripping from the start to the finish. This book displays the broad spectrum of humanity from our best to just how low and evil we can stoop. It moves through time from the past to an awesomely realised post apocalyptic future and back again showing a playful and excellent grasps of multiple literary styles along the way.

This was the book I gave my girlfriend who is not a fan of sci-fi as the one example of this genre that she agreed she would read, mainly just to keep me quiet. She adored it. Well written, extremely good plotting and characterisation, and has elements which stay with you for years after reading it which is the whole point, isn't it? A novel which focuses on how a military-run government would look. Also gives a good description of uber-cool space suits and fighting aliens. Really makes you think about how OUR world works by looking at another. Am almost completely realised universe, very smart and incisive.

I found the contrast between the connections of the culture through neural laces and the inhabitants of Yoleus to be very thought provoking, as it brought up a host of questions about the causes and effects of instant information through the internet. Also damned funny. I first read this book as a pre teen and found it an atypical examination of prejudice and the fear that inspires it.

It is however, a very enjoyable, well written read. I have read it in every subsequent decade of my life and found no less enjoyable. I would recomend it for young and old alike. By far my favorite John Wyndham book. All books of the Robotic series together with the Foundation Series. Alternate history squared, Spinrad posits a world where Hitler went to the US in the late s and became a science fiction writer of the golden age.

A spoiler proof story and not actually a very good one, but the shock is realizing how close so much SF comes to it. Spinrad includes an academic article criticizing HItler on a literary basis to help you process the experience. It has everything, hard Sci-Fi ideas, fantasy politics, religion, philosophy, romance Sprawling SF on a vast scale, violent and hilarious in equal measure, Banks' Culture Novels are peerless, and this is one of his best.

Even non-sf fans like this. Heinlein probably created more libertarians with this book than Hyeck! The first of Smiths books and the first one I had read, picked up at random from a newsagents. From the first page you are hooked by the vivid imagery and shocking storyline. It was a lesson in how you can put wild imagination onto the page and let it run away with itself.

Despite it's complex concepts the vivid imagery and flowing dialogue reall lets you enter the Culture world for the first time with a great understanidng for me the best Sci fi book ever written. Best of the 'culture' novels.

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Games at multiple levels, very black and very entertaining. There was just something about this book and all the thought that author Clarke put into it that made it stand out for me. There was no wild imaginings just simple and logical prediction.

The only thing that was a little hard to believe was the physical size of Rama. Given the cost and complexity of building the ISS, one has to wonder how long and how much it took to be built and sent on it's way. A super read though. Bill is a pal of mine for starters. He was working on this book years before I met him. He let me read his rough draft when it was done and after that, I hope he will write more. I've downloaded his ebook and it's even better finished. He said that it's the kind of story he wantes to read about.

He's shared it with some other people I work with and everybody loves it. I think he had his brother make a video, but I'm not sure. He was talking about it.

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Bill can draw, too. I'm friends with him on facebook, and his characters are really cool so now you can actually see what his characters look like as he sees them. I would recommend this book even if Bill wasn't my friend, it's that good. I thought it was too obvious, but apparently not, based upon the comments below. Dune, along with Stranger in a Strange Land, catapulted sci fi out of the "golden age", and re-defined the genre. These two books are to sci-fi what the Beatles were to rock.

Everything after was different. This novel is set in a post environmental holocaust future with both a dystopia and a Utopia. It presents beautifully drawn characters in a technological wonderland with a hellishly corporate backdrop. The novel revolves around Shira and her quest to be reunited with her son - taken from her by the company she used to work for. In her quest she is joined by a wonderful cyborg named Yod and the novel tells of their relationship and brings into question what it is to be human.

The story is interspersed with the tale of the Golem in Prague which brings the questions around what is life into a longer history and gives it weight. As a science fiction novel it is so frighteningly possible - and in the not very distant future - but its real power is that we can already see how close we are to becoming a world in which corporations control private lives. There's some really wonderful moments like when Shira and co hack into the company's computer system using their minds, but flying in the shapes of birds, and when Shira is trying to teach Yod to understand the beauty of roses.

I don't want to give anything else away as there are also unseen twists. Plus there are kittens! Too dense, too pretentious, no likable characters and then for the last quarter Suddenly transformed to profound, disturbing, beautiful and lyrical. As someone else on this thread says, "Quite unlike anything else i've read". Start with the creation of a mind then follow it on a post-human diaspora through the multiverse. Over 2 generations ahead of its time - Still a contemporary science fiction novel of the highest quality - the central tenet still stands the ravages of time as a truly inspiring and though provoking possibility.

An amazing gem. Not sure if it's SF, biography, satire, or a combination of all these and more, but it's a genius little book which I read over 20 years ago for the first time; I re-read it ocassionally, and it's still fresh to me. An amazing series detailing the interactions between a number of species includinfg humans on a grandiose scale. A must read for any true lover of SF. When the author tries to explain what a twelve dimensional planet might look like in an alternative universe it boggles my poor little four dimensional mind, but in that giddy, vertigionous way Stephen Hawking sometimes managed in a Brief History of Time.

Except theres no spaceships, aliens, virtual realities in Hawkings book, which makes this book quite a lot better. Diapsora is a novel of big ideas. From the birth of a gender neutral new mind in a virtual reality where most of humanity live in the near future AD to exploration of the galaxy and on to other universes of increasing multidimensional complexity to the ultimate fate of our species and others, all in a pursuit of a mystery - how does the universe hmm, multiverse really work?

How can we survive its indifferent violence? And where are the mysterious species who left microscopic clues behind in the structure of an alien planet warning of galaxy wide catastrophe? As the book progresses the relative importance of these questions and answers change. What happens when the answers are complete? Are they ever? It does take a while to get going particularly if you're not familiar with 'hard sci-fi' but there are no 'cheats' used in traditional sci fi. No transporters, FTL travel and the intelligent aliens are so utterly unlike the 'human' heroes they need several layers of 'relay-team' interpreters even to communicate.

I look forward to the day mind wipes become more widely available so I can read it again for the first time.

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Like the best science fiction, it portrayed a plausible world growing out of our present - and the central figure is a believable human being doing currently-unbelievable things who grows, over the course of the book. And totally gratuitously, it led to a number of sequels as rich and believable, in their way, as the first in the series was itself. Larry Niven is mainly know for his Ringworld series books. Generally his books are set in "known space" - a universe not too distant in the future - or close parallels to this creation.

In "World of Ptavvs", Larry brings an alien known in "known space" as being extinct for millions of years to the present day. The alien a Slaver had been in stasis and is unintentionally released and then sets about trying to enslave the earth. Fortunately Larry Greenberg, who had been trying to reach the alien telepathically whilst in stasis, is here to save the day.

Without giving too much away, humans are related to the Slaver race, meaning of course that the World of the Ptavvs is earth. Some Slavers that have lost all their family rather than committing suicide will decide to protect the whole Slaver species. If only Larry knew someone like that to protect earth from this Slaver What I like about the book is that the complete story spans from years into past and future. Space Opera it is not as the books are far too easy to read a couple hours to read this book but none-the-less Larry Niven creates a rich and compelling universe.

It is prescient in its understanding of memes, no one else has come close. Not neccesarily the best SF book ever-that would in my opinion be one of Iain M. Banks's 'Culture' novels-but quite possibly the weirdest. If you thought the end of Herbert's Dune series was getting a bit strange, it has nothing on this-truly out there WTF! By the way, are we including the Gormenghast trilogy in this? It's a beautiful balance of drama, speculation, humor, and the PKD's own special brand of paranoia. Well written, wll thought out, great plot develpoment, and all around awesome!!!!

This book so beautifully demonstrates the point that what falls between two opposing, hard-held points of view is truth. Not science fiction by the contemporary definition. This novel deals with what has been coined "inner space" rather than the more outer-space oriented, Le Guinesque fantasies. JG Ballard was a prominent figure of the new wave of science fiction: a collective of novelists who emerged in the s and were mostly concerned with the birth of the space age and the atom bomb, for example. This was a time when events of the so-called real world began to seem stranger than fiction.

As a result, novelists of this era began to write about dystopian near-futures rather than settings vastly remote in time and distance. High Rise deals with the effects of the man-made, physical landscape, in this case an east London aparment block - on the physcology of the tenants. The rigidly defined social structure, too-easy access to amenities and desire of the tenants to resign from their lives as mindless functionaries, sets in motion a descent into a microcosmic catastrophe.

Ballard's ruthless imagination is on show here in all its glory. This book changed my life. Strictly not Sci-Fi, but a theological meditation on perception, sanity and counterculture. One of my favourite books, up there with Camus and Satre in my opinion. The protaginist is a man undergoing a nervous breakdown who interprets his psychosis as religious revelations. Astoundingly well-written, profound and funny. Refutes the view of science fiction as 'Cowboys and Indians in Space. The author is a bit of a nutter, but the Mission Earth books are an excellent read.

And, the hero grows up a little. Eurasia including Britain has been conquered by Bolshevism. All because Adolf Hitler emigrated to New York in to become a science-fiction writer. That's the framing story. LOTS tells of a mythologized Germany "Heldon" in a future post-nuclear world that rose up to defeat the evil mutant forces of Zind and their humanity-destroying rulers the Dominators. The only reason it's not more popular is because it's too real in many respects.

It lacks that warm and fuzzy Hollywood-like ending needed for today's pop culture. Still, it's a brilliant series of books. I recommend them all.

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Like all great science fiction Shikasta and its four companion volumes has a serious philosphical core; It is beautifully written, and is a cracking read. It is plausible and utopic, offering a glimpse of a future of equality and sexual freedom with humankind and nature in balance, while pointing at the frailties of current reality and pertinently criticising organised religion, ideology, and colonialism.

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Lessing's imagination runs riot, and the fourth volume, although slim, has one of the finest takes on survival in a hostile environment I have ever read. One of the most compelling compendium of five book s. Fast paced, excellently written and many thought provoking ideas playing merry hell with history, time, space and logic. Not to mention a great cliffhanger ending. I'll be back! True to his word, Vigo returned in modern day New York in and took up residence in his self-portrait that was created long before the events of his death.

Vigo used the river of Psychomagnotheric Slime also known as Mood Slime , generated by a Sloar , which flowed through abandoned subway tunnels to a location underneath the city's Manhattan Museum of Art , where Vigo resided. The Mood Slime boosted Vigo's powers, and enabled him to channel people's negative emotions needed for the manifestation of an army of angry spirits that soon started terrorizing New York City.

Although the slime granted Vigo power enough to manifest, he could not regain a physical form. For this reason, Vigo needed a baby to possess. Vigo used his power and manipulated the museum's curator Janosz Poha into doing his bidding as his pawn. He commanded Janosz to find him a child. Janosz knew the perfect candidate: Dana Barrett 's baby, Oscar. Vigo attempted to capture Oscar by sending a wave of Mood Slime into Dana's bathtub when she was about to bathe him, only for Dana to escape and take shelter at Peter's apartment.

Peter notified Egon and Ray of the incident. After they checked into Vigo's history, the Ghostbusters went to the museum to investigate and took pictures of Vigo's portrait to analyze. During the analysis, Ray and Egon peered through the illusion of the portrait and saw Vigo's realm, with the Mood Slime flowing behind him. It was then that Vigo attempted to do away with the pair by locking the dark room then setting it ablaze, only for them to be saved by Winston.

Egon, Ray, and Winston investigated the sewers and discovered the river of slime that Ray found previously. Winston was pulled in while he tried take measurements. Egon and Ray jumped in after him. They emerged onto the streets and realized the slime was flowing to the museum, and therefore, Vigo. The Ghostbusters tried to alert Mayor Lenny only for his aid, Jack Hardemeyer , to have them committed, temporarily getting them out of Vigo's way. With only 48 hours before the new year when Vigo's 'Season of Evil' would begin , Vigo ordered Janosz to bring him Oscar, with the promise that Dana would be his wife as a reward.

The window in Oscar's temporary bedroom at Peter's was telekinetically opened. Inexplicably, Oscar climbed outside on the ledge. Janosz, in the form of a ghostly nanny thanks to Vigo's powers, snatched Oscar and brought him to the museum. Dana went right after him. After Dana entered the museum, the mood slime covered the exterior of museum and hardened into an near impenetrable shell that kept anyone or anything from getting in or out. At the same time, the mood slime also reached its peak, causing a wide spread appearance of ghosts that rivaled the Containment Unit 's explosion.

At the stroke of midnight on New Year's Eve, he would possess Oscar, and be reborn and freely rule the world once again. However, just as he was transferring his spirit into Oscar, the Ghostbusters arrived and disrupted the ritual, having used the Statue of Liberty to generate enough positive energy to penetrate the negative energy of Vigo's slime wall. After the Ghostbusters slimed Janosz to free from Vigo's control, Vigo decided to face the Ghostbusters personally.

Having grown strong enough to gain corporeal form, he emerged from the painting, using beams to stun the Ghostbusters before locating where Peter had hid Oscar. As Vigo was preparing to possess the baby, he then grimaced in pain. His weakening was due to throngs of New Yorkers singing "Auld Lang Syne" outside the museum, and their positivity countered the negativity Vigo thrived on.

This also released the Ghostbusters from their stasis. Considerably weakened, Vigo was drawn back into his painting as his face became distorted, revealing himself as the monster that he truly was in both life and the afterlife. In a desperate ploy, he took possession of Ray's body having enchanted him during the Ghostbusters' earlier investigation , both to become human and was under the belief the other Ghostbusters wouldn't fire on their friend. However, the Ghostbusters used positively charged slime to drive him out of Ray's body and their proton streams to drive Vigo back into the painting, completely draining all his powers and causing him to vanish.

After that, the painting of Vigo vanished and was replaced with a new one with four men wearing togas surrounding a baby, which symbolized the four Ghostbusters as heavenly saints defending the baby Oscar. The painting eventually returned to Vigo's original portrait under unknown circumstances, and was confiscated by the Ghostbusters. Vigo, as of November , resided in the Firehouse in his painting near Janine's desk on the right from the Firehouse doors, where he would menacingly but harmlessly bicker with those who approached.

For more, see Quotes and Trivia. In the Wii version , Vigo's painting is in the basement near the Storage facility. Prince Vigo came to prominence in the 15th century. He ruled over his homeland of Carpathia and the conquered country of Moldavia. He was purportedly both an alchemist and a warlock.

However, the horde was defeated by The Undying Soldier. Decades into his reign, Vigo was overthrown by his subjects. Despite being years old, Vigo was as strong as young man at his prime. He stayed alive for days following the attack. Vigo's last words were, "Death is but a door, time is but a window.

His ashes were scattered in the Black Sea. Vigo's tyranny came to end but his subjects lived in fear for years that he was still watching them. During New Year's Eve , the Ghostbusters' use of both positively charged Psychomagnotheric Slime and Proton Streams on Vigo banished him back into his painting, effectively eliminating his power.

Idulnas briefly took on the guise of Vigo to taunt Janosz into serving him. A couple weeks into the Tiamat incident, Vigo suddenly vanished from his painting. He resurfaced on Hart Island and raised the dead buried at the potter's field to serve as his army. The resulting P. Angered someone dared to strike him, Vigo fixated on Peter, whom he referred to as "The Vandal," instead and shot at him. They opened fire on Vigo, who called to the Hart Island Ghosts. In a surprise turn, the ghosts pried the Proton Streams from Vigo.

Vigo grabbed ahold of Ron Alexander and gloated about his impending death. With Ray still in a trance state, Ron took matters into his own hands and activated his Boson Caster. Vigo was shot point blank in the face. Vigo taunted Winston and declared the Hart Island Ghosts would prevent the slime from touching him. Winston was counting on this. Slimed with positively charged Psychomagnotheric Slime, the ghosts were free from Vigo's control. They immediately swarmed Vigo like hungry piranha.

Vigo's form was slowly dispersed, evidenced by his left hand being reduced to a skeleton. When the Ghostbusters returned to the Firehouse, Vigo was back in his painting but with scorch marks on his head where he was blasted by Melanie Ortiz. Peter promised to help cover them up with a pastel colored beret. After a dimensional overlap took place, Jillian Holtzmann scanned Vigo with her P. Meter while Erin and Abby voiced concern about where their equipment went.

After being attacked by a Sandman , Alan Crendall found himself face to face with Vigo in his throne room. Vigo recognized Alan and declared him an enemy since his bloodline failed him and the Ghostbusters foiled him. Vigo wanted revenge. Alan fired but his thrower malfunctioned. Vigo slashed at his chest. Before Vigo could finish him, Alan regained consciousness in the Calvin Home.

Gabriel Sitter speculated he was dreaming. Alan noticed the wound from Vigo's slash was still on his chest. Though this tome is almost exclusively intended as a reference for spirits, I think it's worth noting briefly the life of one Prince Vigo Von Homburg Deutschendorf. His unnaturally long life didn't end easily, as the villagers in his kingdom tries several methods of getting rid of him before something finally worked. His last words were: "Death is but a door, time is but a window.

Indeed, he did. Vigo's tenacity in life and beyond is quite remarkable.