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Morricone wrote more works in the climate of the Italian avant-garde. A few of these compositions have been made available on CD, such as "Ut", his trumpet concerto dedicated to the soloist Mauro Maur , one of his favorite musicians; some have yet to be premiered. From up to their eventual disbandment in , he was part of Gruppo di Improvvisazione di Nuova Consonanza G. The Rome-based avant-garde ensemble was dedicated to the development of improvisation and new music methods. The ensemble functioned as a laboratory of sorts, working with anti-musical systems and sound techniques in an attempt to redefine the new music ensemble and explore "New Consonance.

Morricone played a key role in The Group and was among the core members in its revolving line-up; in addition to serving as their trumpet player, he directed them on many occasions and they can be heard on a large number of his scores from the s. Held in high regard in avant-garde music circles, they are considered to be the first experimental composers collective, their only peers being the British improvisation collective AMM.

Their influence can be heard in free improvising ensembles from the European movements including Evan Parker Electro-Acoustic Ensemble , the Swiss electronic free improvisation group Voice Crack , John Zorn [41] and in the techniques of modern classical music and avant-garde jazz groups. The ensemble's groundbreaking work informed their work in composition. The ensemble also performed in varying capacities with Morricone, contributing to some of his '60s and '70s Italian soundtracks, including A Quiet Place in the Country and Cold Eyes of Fear His earliest scores were Italian light comedy and costume pictures, where Morricone learned to write simple, memorable themes.

Tie Me Down! Morricone has never ceased to arrange and write music for comedies. In , he composed a lighthearted score for the Italian romantic comedy Tutte le Donne della mia Vita by Simona Izzo, the director who co-wrote the Morricone-scored religious mini-series Il Papa Buono. Though his first films were undistinguished, Morricone's arrangement of an American folk song intrigued director and former schoolmate Sergio Leone.

Before being associated with Leone, Morricone had already composed some music for less-known western movies such as Duello nel Texas aka Gunfight at Red Sands The turning point in Morricone's career took place in , the year in which his third child, Andrea Morricone , who would also become a film composer, was born.

Film director Sergio Leone hired Morricone, and together they created a distinctive score to accompany Leone's different version of the Western , A Fistful of Dollars Morricone used his special effects to punctuate and comically tweak the action—cluing in the audience to the taciturn man's ironic stance. Though sonically bizarre for a movie score, Morricone's music was viscerally true to Leone's vision. As memorable as Leone's close-ups , harsh violence, and black comedy, Morricone's work helped to expand the musical possibilities of film scoring.

Morricone was initially billed on the film as Dan Savio. A Fistful of Dollars came out in Italy in and was released in America three years later, greatly popularizing the so-called Spaghetti Western genre. Over the film's theatrical release, it grossed more than any other Italian film up to that point.

With the score of A Fistful of Dollars , Morricone began his year collaboration with his childhood friend Alessandro Alessandroni and his Cantori Moderni. Morricone specifically exploited the solo soprano of the group, Edda Dell'Orso , at the height of her powers "an extraordinary voice at my disposal". Some of the music was written before the film, which was unusual. Leone's films were made like that because he wanted the music to be an important part of it; he kept the scenes longer because he did not want the music to end. According to Morricone this explains why the films are so slow.

Despite the small film budgets, the Dollars Trilogy was a box-office success.

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Morricone's score became a major success and sold over three million copies worldwide, earning him over million dollars. On 14 August the original score was certified by the RIAA with a golden record for the sale of , copies in the United States only. Montenegro's album with the same name included a selection of Morricone's compositions from the Dollars Trilogy.

The opening scene of Jeff Tremaine 's Jackass Number Two , in which the cast is chased through a suburban neighborhood by bulls, is accompanied by this piece. In , the Grammy Award-winning hip-hop artist Coolio extensively sampled the theme for his song "Change". Morricone's score for Once Upon a Time in the West is one of the best-selling original instrumental scores in the world today, with up to 10 million copies sold, including one million copies [62] [63] in France and over , copies [64] in the Netherlands.

The collaboration with Leone is considered one of the exemplary collaborations between a director and a composer. Morricone's last score for Leone was for his last film, the gangster drama Once Upon a Time in America Leone died on 30 April of a heart attack at the age of He had convinced Morricone to compose the film score. The project was canceled when Leone died two days before he was to officially sign on for the film. In early , Italian filmmaker Giuseppe Tornatore announced he would direct a film called Leningrad.

Two years after the start of his collaboration with Sergio Leone, Morricone also started to score music for another Spaghetti Western director, Sergio Corbucci. With Leone's films, Ennio Morricone's name had been put firmly on the map. Most of Morricone's film scores of the s were composed outside the Spaghetti Western genre, while still using Alessandroni's team.

In , Morricone reduced his work outside the movie business and wrote scores for 20 films in the same year. The scores included psychedelic accompaniment for Mario Bava 's superhero romp Danger: Diabolik His talent and creativity were such that many other directors were soon keen to collaborate with him, and in the next few years Morricone scored a lot of films by politically committed directors: collaborating with Marco Bellocchio Fists in the Pocket , , Gillo Pontecorvo The Battle of Algiers and Queimada! In , Morricone wrote the score for Violent City. That same year, he received his first Nastro d'Argento for the music in Metti, una sera a cena Giuseppe Patroni Griffi , and his second only a year later for Sacco e Vanzetti Giuliano Montaldo, , in which he had made a memorable collaboration with the legendary American folk singer and activist Joan Baez.

His soundtrack for Sacco e Vanzetti contains another well-known composition by Morricone, the folk song " Here's to You ", sung by Joan Baez. The song became a hit in several countries, selling over , copies in France only. In the same year, Morricone composed the score for the less-known drama Maddalena by the Polish film director Jerzy Kawalerowicz which included its composition ' Chi Mai '.

In the beginning of the s, Morricone achieved success with other singles, including A Fistful of Dynamite and God With Us , having sold respectively , and , copies in France only. Between and the composer had a long-term collaboration with director Mauro Bolognini. Morricone wrote more than 15 film scores for Bolognini, including Le streghe , L'assoluto naturale , Un bellissimo novembre , Metello , Chronicle of a Homicide , Libera, My Love , Per le antiche scale , La Dame aux camelias , Mosca addio , Gli indifferenti and Husband and Lovers In he composed the score for John Carpenter 's science fiction horror movie The Thing.

The American release gave Morricone an exposure in America and his film music became quite popular in the United States.

Ennio Morricone

One of Morricone's first contributions to an American director concerned his music for the religious epic film The Bible: In the Beginning At first Morricone's teacher Goffredo Petrassi had been engaged to write the score for the great big budget epic, but Huston preferred another composer. The producer wanted to have the exclusive rights for the soundtrack, while RCA still had the monopoly on Morricone at that time and did not want to release the composer. Morricone never left Rome to compose his music and never learned to speak English. But given that the composer has always worked in a wide field of composition genres, from absolute music, which he has always produced, to applied music, working as orchestrator as well as conductor in the recording field, and then as a composer for theatre, radio and cinema, the impression arises that he never really cared that much about his standing in the eyes of Hollywood.

The same year the composer also delivered the title theme The Men from Shiloh for the American Western television series The Virginian [86] and the score for Phil Karlson 's war film Hornets' Nest , starring Rock Hudson , and scored Bluebeard , starring Richard Burton , two years later. In Morricone wrote music for some unknown episodes of the science-fiction television series Space: , [ citation needed ] directed by Lee H. Katzin , and the following year he scored the George Kennedy revenge thriller The "Human" Factor , which was the final film of director Edward Dmytryk.

The horror film was a major disappointment at the box office. The same year he scored the Dino De Laurentiis produced adventure film Orca , starring Richard Harris , which was also only a minor hit but later developed a cult following. During the lengthy editing process of the romantic drama, which won an Academy Award for Best Cinematography with an additional three nominations for the score, Terrence Malick and Billy Weber made use of a temporary score dominated by Morricone's music for the Bernardo Bertolucci film Novecento.

When Malick decided he wanted Morricone to score his movie, the director sent a version of it to Italy with the Novecento temp track in place. Morricone agreed to the assignment and Malick flew to Italy because the composer did not fly, so would not travel to the United States. Malick took the movie over to Morricone in Italy and Morricone was writing for Days of Heaven the whole time.

Afterwards they scored the music in Italy. In Days of Heaven , Morricone's elegiac music coexists with pre-existing selections.

In , Morricone provided the music for the thriller Bloodline , directed by Terence Young , best known for directing the James Bond films Dr. No , From Russia with Love , and Thunderball At one point the score was one of the world's best-selling film scores, selling over 3 million copies worldwide. Morricone finally received a second Oscar nomination for The Mission.

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It was considered as a surprising win and a controversial one, given that much of the music in the film was pre-existing. Especially when you consider that the Oscar-winner that year was Round Midnight, which was not an original score. It had a very good arrangement by Herbie Hancock, but it used existing pieces.

So there could be no comparison with The Mission. There was a theft! The top 10 list was compiled by 40 film composers such as Michael Giacchino and Carter Burwell. He respects music, he respects composers. For The Untouchables, everything I proposed to him was fine, but then he wanted a piece that I didn't like at all, and of course we didn't have an agreement on that. It was something I didn't want to write — a triumphal piece for the police. I think I wrote nine different pieces for this in total and I said, 'Please don't choose the seventh! And guess what he chose? The seventh one.

But it really suits the movie. Another American director, Barry Levinson, commissioned the composer on two occasions. The highest-grossing American movie for which the composer wrote a complete score was for Levinson's Disclosure in , starring Michael Douglas and Demi Moore. There's no such thing with Morricone. He hears a melody, and he writes it down.

He hears the orchestration completely done", said Barry Levinson in an interview. None of the aforementioned films were box office successes, but fortunately Morricone was also commissioned for more successful motion pictures such as In the Line of Fire by Wolfgang Petersen , starring Clint Eastwood and John Malkovich , the horror film Wolf , Mike Nichols , which featured Jack Nicholson and Michelle Pfeiffer in the lead roles, and Bulworth by Warren Beatty.

One of his last complete scores for an American-related project includes the thriller Ripley's Game , starring John Malkovich , by Liliana Cavani. Noted background music from the shooting scene "target practice" in Quentin Tarantino's Django Unchained was also featured in Kung Fu theaters movies. Besides the original film scores that have been composed by Morricone for movies and television series in a career of over six decades, his music is in addition frequently reused in more than other film projects. Quentin Tarantino borrowed Morricone's music for several of his films.

In , Tarantino originally wanted Morricone to compose the film score for Inglourious Basterds. In , Morricone composed the song "Ancora Qui" with lyrics by Italian singer Elisa for Tarantino's Django Unchained , a track that appeared together with three existing music tracks composed by Morricone on the soundtrack. His nomination for this film marked him at that time as the second oldest nominee in Academy history, behind Gloria Stuart.

Morricone's win marked his first competitive Oscar, and at the age of 87 he became the oldest person at the time to win a competitive Oscar. In Morricone started an ongoing and very successful collaboration with Italian director Giuseppe Tornatore. His first score for Tornatore was for the drama film Cinema Paradiso. In , the director's cut minute version was released known in the U. The composer won several music awards for his scores to Tornatore's movies. He wrote the score for the Mafia television series La piovra seasons 2 to 10 from to , including the themes "Droga e sangue" "Drugs and Blood" , "La Morale", and "L'Immorale".

Morricone worked as the conductor of seasons 3 to 5 of the series. He also worked as the music supervisor for the television project La bibbia "The Bible". In the late s, he collaborated with his son Andrea on the Ultimo crime dramas, resulting in Ultimo , Ultimo 2 — La sfida , Ultimo 3 — L'infiltrato and Ultimo 4 — L'occhio del falco Morricone wrote additional music for the sequel, Karol: The Pope, The Man , which portrayed Karol's life as Pope from his papal inauguration to his death.

Both scores were originally released respectively in and One year later, a double disc album with both scores is released. In , Morricone scored another epic, for Japanese television, called Musashi and was the Taiga drama about Miyamoto Musashi , Japan's legendary warrior. A part of his "applied music" is now applied to Italian television films. Since , Morricone wrote music for almost exclusively Italian television movies and mini-series, especially for directors such as Giuseppe Tornatore, Alberto Negrin , Giuliano Montaldo , and Franza Di Rosa.

In , the composer recorded music for a Lancia commercial, featuring Richard Gere and directed by Harald Zwart known for directing The Pink Panther 2. Tarantino originally wanted Morricone to compose the soundtrack for his film, Inglourious Basterds. However, Morricone refused because of the sped-up production schedule of the film. It was the second time Morricone's turned down the director, he also turned down an offer to write some music for Pulp Fiction in In spring and summer , Morricone worked with Hayley Westenra for a collaboration on her album Paradiso.

The commercials were directed by Giuseppe Tornatore. In , Morricone collaborated with Italian singer-songwriter Laura Pausini on a new version of her hit single " La solitudine " for her 20 years anniversary greatest hits album 20 — The Greatest Hits. He wrote the score for Christian Carion's En mai, fais ce qu'il te plait and the most recent movie by Tornatore: The Correspondence , featuring Jeremy Irons and Olga Kurylenko. Before receiving his diplomas in trumpet, composition and instrumentation from the conservatory, Morricone was already active as a trumpet player, often performing in an orchestra that specialized in music written for films.

After completing his education at Saint Cecilia , the composer honed his orchestration skills as an arranger for Italian radio and television. In order to support himself, he moved to RCA in the early sixties and entered the front ranks of the Italian recording industry. During the existence of the group until , Morricone performed several times with the group as trumpet player. To ready his music for live performance, he joined smaller pieces of music together into longer suites. Rather than single pieces, which would require the audience to applaud every few minutes, Morricone thought the best idea was to create a series of suites lasting from 15 to 20 minutes, which form a sort of symphony in various movements — alternating successful pieces with personal favorites.

In concert, Morricone normally has to musicians and vocalists under his baton, performing multiple genre-crossing collections of music. Rock, symphonic and ethnic instruments share the stage. He performed some of his best-known compositions such as Metti, una sera a cena , Novecento and The Good, the Bad and the Ugly. It was the very first time that the score was performed live in Europe. The second part of the evening consisted of an anthology of the composer's work. Morricone performed over concerts as of The previous evening, Morricone had already presented at the United Nations a concert comprising some of his film themes, as well as the cantata Voci dal silenzio to welcome the new Secretary-General Ban Ki-Moon.

A Los Angeles Times review bemoaned the poor acoustics and opined of Morricone: "His stick technique is adequate, but his charisma as a conductor is zero. If the audience comes for my gestures, they had better stay outside. On 11 September he conducted a concert in Verona.

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On 22 December Morricone conducted the piece Belgian orchestra "Orkest der Lage Landen" and a piece choir during a two-hour concert in the Sportpaleis in Antwerp. Back in June , Morricone had to cancel a U. Morricone postponed the rest of his world tour. In November Morricone stated that he will resume his European tour starting from February The recording studio has some peculiarities, one of them is the ability to record a church organ directly to the studio.

Morricone has been using the studio to create his scores for the past 40 years. On 13 October he married Maria Travia, whom he had met in Travia has written lyrics to complement her husband's pieces. Her works include the Latin texts for The Mission. They have three sons and a daughter, in order of birth: Marco , Alessandra , the conductor and film composer Andrea , and Giovanni Morricone , a filmmaker, who lives in New York City. Morricone has lived in Italy his entire life and has never desired to live in Hollywood.

Morricone is also not fluent in English and will give interviews only in Italian, his native language. Ennio Morricone has sold well over 70 million records worldwide during his career that spanned over seven decades, [] [] including 6. In , the U. Two years later, Morricone received his second Oscar nomination for The Mission. Morricone and Alex North are the only composers to receive the Academy Honorary Award since the award's introduction in Behind-the-scenes studio production and recording footage of "I Knew I Loved You" can be viewed in the debut episode of the QuincyJones.

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Morricone's acceptance speech was in his native Italian tongue and was interpreted by Clint Eastwood, who stood to his left. Eastwood and Morricone had in fact met two days earlier for the first time in 40 years at a reception. Morricone was nominated seven times for a Grammy Award. Nastro d'Argento Silver Ribbon. European Film Awards.

From Wikipedia, the free encyclopedia. Italian composer, orchestrator and conductor.

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  • Morricone at the Cannes Film Festival. Film music classical absolute music jazz pop rock. Composer orchestrator conductor musician producer. Main article: The Good, the Bad and the Ugly soundtrack. From The Good, the Bad and the Ugly film score. Main article: Once Upon a Time in the West soundtrack. Main article: The Mission soundtrack. Main article: List of Ennio Morricone concerts.

    Main article: Forum Music Village. Main article: List of cover versions and samples of Ennio Morricone compositions. Main article: List of compositions by Ennio Morricone. Retrieved 17 October Retrieved 31 December Retrieved 20 January Retrieved 21 January Guitar Player, Sept. Omnibus Press. Mojo Magazine. Retrieved 13 July Retrieved 28 December Retrieved 19 December Retrieved 6 November Retrieved 13 September Scarecrow Press. Retrieved 22 January Waitresses at the diner on Cumberland Head know his first name.

    He can be found from time to time under the sprawl of the Southern Cross in the Transvaal or in the farthest reaches of Tierra del Fuego or almost anywhere between Cape Reinga and Invercargill in New Zealand. He has been known to hang out among the squares of Savannah. While he moonlights as a virtuoso listener to Haydn and Scarlatti, he is a full-time writer. He claims to be a literary Old Man and the Sea.

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